Catherine Rogers is a playwright and performer who lives and works in New York.
She is Associate Director and Lecturer in the Program in Narrative Medicine at Columbia University, where she teaches creative writing.
Catherine has performed with Faction of Fools, Manhattan Theatre Source, Diverse City, and many others. She worked in Paris with Pantheatre, in London with Theatre Complicité’s dance performance Everything That Rises Must Dance, and in Texas in Robert Wilson’s Four Saints in Three Acts. Her play Einstein’s Daughter was workshopped at Cleveland Public Theater and produced at Public Domain, Austin, Texas.
Her one-act plays Cowpoker: About Love, Historia Calamitatum: The Story of His Misfortunes, and La Notte di San Lorenzo were presented at Salvage Vanguard Texas, Nat Horne New York city, Women’s Project New York city, the Women Playwrights Festival in Galway, Ireland, and in colleges and universities in the US. Her solo play Georgia O’Keeffe x Catherine Rogers is published in Voices Made Flesh (U Wisconsin Press). She workshopped her solo show Think it Over with Gretchen Cryer at the Dramatists Guild Fund and has performed her solo show The Sudden Death of Everyone at Dixon Place, Manhattan Theatre Source, Emerging Artists Theatre in NYC, Shubin Theatre Philadelphia, Women’s Studio Workshop Rosendale, and in Athens, Thessaloniki, and Paros, Greece.
Her short fiction is published in the Gettysburg Review (Spring 2014). Her prose poems are published in Our Changing Journey to the End: Reshaping Death, Dying, and Grief in America (Praeger 2013).
Catherine is a two-time Fulbrighter to Greece where she taught creative writing at Aristotle University and the University of Athens and where she currently facilitates narrative medicine sessions. Catherine was assistant professor of humanities at NYU, and a playwright in the schools for Theatre for a New Audience, New York. She earned the MFA in Playwriting as a James A. Michener Fellow at the University of Texas. She and is a member of SAG/AFTRA and the Dramatists Guild.
She is Associate Director and Lecturer in the Program in Narrative Medicine at Columbia University, where she teaches creative writing.
Catherine has performed with Faction of Fools, Manhattan Theatre Source, Diverse City, and many others. She worked in Paris with Pantheatre, in London with Theatre Complicité’s dance performance Everything That Rises Must Dance, and in Texas in Robert Wilson’s Four Saints in Three Acts. Her play Einstein’s Daughter was workshopped at Cleveland Public Theater and produced at Public Domain, Austin, Texas.
Her one-act plays Cowpoker: About Love, Historia Calamitatum: The Story of His Misfortunes, and La Notte di San Lorenzo were presented at Salvage Vanguard Texas, Nat Horne New York city, Women’s Project New York city, the Women Playwrights Festival in Galway, Ireland, and in colleges and universities in the US. Her solo play Georgia O’Keeffe x Catherine Rogers is published in Voices Made Flesh (U Wisconsin Press). She workshopped her solo show Think it Over with Gretchen Cryer at the Dramatists Guild Fund and has performed her solo show The Sudden Death of Everyone at Dixon Place, Manhattan Theatre Source, Emerging Artists Theatre in NYC, Shubin Theatre Philadelphia, Women’s Studio Workshop Rosendale, and in Athens, Thessaloniki, and Paros, Greece.
Her short fiction is published in the Gettysburg Review (Spring 2014). Her prose poems are published in Our Changing Journey to the End: Reshaping Death, Dying, and Grief in America (Praeger 2013).
Catherine is a two-time Fulbrighter to Greece where she taught creative writing at Aristotle University and the University of Athens and where she currently facilitates narrative medicine sessions. Catherine was assistant professor of humanities at NYU, and a playwright in the schools for Theatre for a New Audience, New York. She earned the MFA in Playwriting as a James A. Michener Fellow at the University of Texas. She and is a member of SAG/AFTRA and the Dramatists Guild.
